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About the Artist

Mark Bovey is an Artist, Associate Professor in the Printmaking Area and current Chair of Fine Art at the Nova Scotia College of Art and Design in Halifax, Nova Scotia, Canada (2004-present). He received his MVA in Printmaking from the University of Alberta in 1992 and his BFA from Queen’s University in Kingston Ontario in 1989. Bovey’s work has represented Canada internationally in juried biennial and triennial exhibitions in 17 nations worldwide. He has exhibited in solo and group exhibitions across Canada including 15 curatorial projects.

Bovey’s practice ranges from traditional printmaking (combinations of Intaglio, Lithography, screen printing and woodcut) to print installations works incorporating inkjet and digital video projection that reference and incorporate the history of printed forms. His work is in numerous collections most recently, SGCI Theme Portfolio Collection at the Kennesaw Museum of Art, Canadian Foreign Affairs Visual Art Collection, The Art Gallery of Nova Scotia, Halifax Canada, Tama Arts University Tokyo Japan, and the Danforth Museum, Boston Massachusetts USA.
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<i>180</i> by Mark Bovey <i>Cantor "Lost Text Suite"</i> by Mark Bovey <i>Times Myth</i> by Mark Bovey
180 by Mark Bovey
Price: $500.00
© Mark Bovey, 2001 © Mark Bovey, 2001 © Mark Bovey, 1998
<i>Ibex, Cross, Time</i> by Mark Bovey <i>50 Guns "Mind Field Suite"</i> by Mark Bovey <i>Churn "Mind Field Suite"</i> by Mark Bovey
© Mark Bovey, 1998 © Mark Bovey, 2001 © Mark Bovey, 2001
<i>The Tragedie of... "Mind Field Suite"</i> by Mark Bovey <i>Homage to Almina #2</i> by Mark Bovey <i>from the Incunabula</i> by Mark Bovey
© Mark Bovey, 2001 © Mark Bovey, 2002 © Mark Bovey, 2002
<i>Incubate "Mind Field Suite"</i> by Mark Bovey <i>The Unforgotten</i> by Mark Bovey <i>Lift Off</i> by Mark Bovey, lithograph on paper, 2014
© Mark Bovey, 2002 © Mark Bovey, 2005 © Mark Bovey, 2014
<i>Surfacing</i> by Mark Bovey <i>Lift Off</i> by Mark Bovey <i>World Machine</i> by Mark Bovey
© Mark Bovey, 2014 © Mark Bovey, 2014 © Mark Bovey, 2014